摘要
屈原形象在近代文化转型中经历了具有古今之变意义的解构与重构。传统文化范畴内屈原形象与王权相联系,被界定为忠君的"忠臣"。这一形象到清季开始受到质疑。新文化运动时期,伴随着整理国故思潮的出现,屈原"忠臣"形象被系统解构。与此同时,屈原作为"人",特别是作为文豪、诗人、文学家的"伟人"身份,被重建起来。屈原形象的变化,折射了中国近代文化转型期新旧思想的交替,也见证了传统历史资源向现代转化的努力。
In the transformation of modern culture,Qu Yuan’s image experienced the deconstruction and reconstruction of the meaning of change from ancient to modern.In the traditional culture,the image of Qu Yuan is related to the kingship and is defined as the"loyal minister".This image has been questioned since the late Qing Dynasty.During the period of the New Culture Movement,along with the Sorting out the National Cultural Heritage thoughts,Qu Yuan’s image of"loyal minister"was systematically deconstructed.At the same time,Qu Yuan was rebuilt as a"person",epecially as a"great man"as a literary giant,poet,and litterateur.The change of Qu Yuan’s image reflects the alternation of old and new ideas in the transition period of modern Chinese culture,and also witnesses the modern transformation of traditional historical resources.
出处
《近代史学刊》
2020年第1期64-78,286-287,共17页
Journal of Modern Chinese History
关键词
新文化运动
屈原形象
文化转型
解构
New Culture Movement
Qu Yuan’s Image
Culture Transformation
Deconstruction
