摘要
全化寺是官式与地方建筑彩画文化交流传播与发展演进的重要载体,其彩画呈现出蒙汉藏文化在地性耦合的特征,是研究清代土默特地区建筑彩画形成与演化脉络的典型样本。基于文献考据、实地勘察和信息采集,并通过类型剖析和颜料检测分析,揭示全化寺建筑彩画的形制演变特征和颜料种类,为土默特地区建筑彩画演化源流研究提供参考。
Quanhua Temple is an important carrier for the communication and development of official and local architectural color painting culture.Its color paintings show the characteristics of the coupling of Mongolian,Han and Tibetan cultures in the locality,and it is a typical sample for studying the formation and evolution of architectural color paintings in Tumet region of Qing Dynasty.Based on literature review,field investigation and information collection,and through type analysis and pigment detection analysis,this paper reveals the evolution characteristics of the shape and form of the architectural color paintings in Quanhua Temple and the types of pigments,providing a reference for the research on the evolution of the architectural color paintings in Tumet area.
作者
魏芸芝
李丽
李库
WEI Yunzhi;LI Li;LI Ku
出处
《建筑学报》
CSSCI
北大核心
2024年第S01期86-91,共6页
Architectural Journal
基金
国家自然科学基金项目(52168009,51808299)
关键词
建筑彩画
彩画形制
颜料检测
全化寺
architectural color painting
color picture form
pigment detection
Quanhua Temple
作者简介
通讯作者:李丽
