摘要
“赛博格”以对身体的技术性置换、增强或延伸为基础,“身体”是其不可忽视的关键维度。在当代中国科幻文学中的诸多“赛博格”形象中,身体构造物的“微型”设想,关联于认知与技术发展的“小型化”导向,隐含一种对物质边界突破的求索欲望,同时与整身形成一种“相即互含”的独特美感;整身的“小型化”则意味着人类价值与美感的重审。此后阶段,人机适应过程因技术复杂程度与心身关系理解分殊而具有个体差异,这种差异体现了“共生”过程的层级性与多样性。最后阶段,身体改造促成身份认同转变,在与技术结合与否所导致的“新人—旧人”分异中,“人”的内涵动态流变,而“群集智能”设定则对个体与集体关系变动进行了实验性呈现。
“Cyborg”is based on the technical replacement,enhancement,or extension of the body,and“body”is a key dimension of its image that cannot be ignored.Among the many“cyborg”images in contemporary Chinese science fiction literature,the“miniature”conception of body structures,related to the“miniaturization”orientation of cognition and technological development,implies a desire to seek breakthroughs in material boundaries,forming a unique aesthetic sense of“mutuality”with the whole body.The“miniaturization”of the body implies a re-examination of human values and aesthetics.In the subsequent stages,the process of human-computer adaptation has individual differences due to differences in technical complexity and understanding of the relationship between mind and body,and this variation is reflected in hierarchy and diversity of the“symbiosis”process.In the final stage,the transformation of the body leads to a change in identity,and t the concept of“human”changes dynamically in the“new human-old human”divide resulting from the integration or non-integration of technology,while the“swarm intelligence”setting is an experimental presentation of the shifting relationship between the individual and the collective.
作者
陈宥文
王一平
Chen Youwen;Wang Yiping(School of Literature and Journalism,Sichuan University,Chengdu 610064)
出处
《科普创作评论》
2023年第1期45-54,共10页
Science Writing Review
基金
教育部“霍英东青年教师基金”项目“西方科幻小说之人工智能与赛博格研究”(171109)
作者简介
通信作者:王一平,四川大学文学与新闻学院教授、博士生导师,研究方向为当代英美文学、类型文学(科幻、侦探小说等)、比较文学理论等。yipingwang@scu.edu.cn。
