摘要
孔子以君子身份的确立为基点,以君子成人之法的范式转移为新路向(据司马迁改写推知),以本事考索助益把握《周易》文本,强调观《易》者回到主体自身内化理解,形成了以观者为中心的独特的观《易》模式,进而建构了《易》学视域下的君子之观,具有理论与实践的双重价值。在这一观《易》模式中,孔子赋予人以主体性,突破了巫、史身份的局限性,强调了观者对君子身份认同的重要性。“观其德义”议题具有现代性的价值,后现代主义者否认作者与读者的权威性,消解文本的真实性。《周易》文本与用以考索文本的本事所涉文献一样,都属于一种可能性解释。与后现代主义者不同,孔子对《周易》文本秉持“多闻阙疑、慎言其余”的态度,以观者为中心,凸显观者的意义。用以观者为中心的艺术史观观之,当《周易》文本(作品)、观者、观者的境遇(环境)、时代等元素被整合起来理解时,文本解读的意义将不会被消解。
Confucius took the establishment of the identity of the gentleman as the base point,the paradigm shift of the law of the gentleman as the new direction(according to Sima Qian's rewriting and deducing),and the ability to search for help to grasp the text of Zhouyi,emphasizing that the observer of Yi should return to the internal understanding of the subject itself,forming a unique viewer-centered mode of viewing Yi,and then constructing the concept of the gentleman under the perspective of Yi study.It has the dual value of theory and practice.In this mode,Confucius endowed people with subjectivity,broke through the limitations of sorcery and history identity,and emphasized the importance of the viewer's identification of the gentleman's identity.The topic of“view its virtue and righteousness”has the value of modernity.Postmodernists deny the authoritativeness of authors and readers and dissolve the authenticity of texts.The text of Zhouyi belongs to a possible interpretation,just like the documents used to investigate the text.Different from the postmodernists,Confucius held the attitude of“hearing too much and being careful to say the rest”to the text of Zhouyi,taking the audience as the center and highlighting the significance of the audience.According to the viewer-centered view of art history,when the text(work),the viewer,the situation(environment)of the viewer,The Times and other elements of Zhouyi are integrated and understood,the meaning of text interpretation will not be eliminated.
作者
王晨
陈亚琦
WANG Chen;CHEN Yaqi
出处
《跨文化研究》
2023年第1期50-63,196,共15页
Transcultural Studies
关键词
观其德义
观者
作者
后现代
艺术史观
View Its Virtue and Righteousness
The Spectator
Author
Post-modern
View of Art History
作者简介
王晨,清华大学人文学院出土文献研究与保护中心博士研究生,研究方向为经学、出土文献学与学术思想史;陈亚琦,清华大学美术学院雕塑系博士研究生,研究方向为雕塑学、公共艺术。
