摘要
日本美学作为东方美学的重镇,历来是国际学者颇为关注的研究领域。日本著名美学家神林恒道关于近代日本“美学”事始的研究,启迪我们梳理与评骘日本美学史“事始”及其嬗变图式问题。在当代国际视野中,考察日本学界、中国学界和英美学界关于日本美学史“事始”的论述具有重要意义,有助于进一步归纳日本美学史的传统—现代—后现代三类嬗变图式。这些图式体现了从传统美学意识、审美现代性到间性文化美学的动态发展趋势。把握日本美学的历史生成与总体轮廓,有利于促进东方美学的当代化与国际化研究。
Japanese aesthetics,which has occupied an important place in Oriental aesthetics,has always been a fruitful research field,and steadily catches international scholars'attention.Kambayashi Tsunemichi,a famous Japanese esthetician,has a wonderful study of the beginning of modern Japanese“aesthetics”,that enlighten us to tease out and evaluate the issue for the“beginning”of the history of Japanese aesthetics and its transmutation of schemata.In the contemporary international perspective,it is of great significance to investigate the discourses of“the beginning of aesthetic affairs”in the history of Japanese aesthetics among Japanese,Chinese and Anglo-American academic circles,which is helpful to further sum up three types of transmutation of Japanese aesthetic history:the traditionalmodern-postmodern.These schemata embody the dynamic development trend from traditional aesthetic consciousness,aesthetic modernity to intercultural aesthetics.Grasping the historical becoming and overall outline of Japanese aesthetics is conducive to promoting the contemporary and international study of Oriental aesthetics.
作者
麦永雄
Mai Yongxiong(Institute of Chinese Language and Literature,Guangxi Normal University)
出处
《美学与艺术评论》
2022年第2期81-94,278,共15页
Journal of Aesthetics and Art Review
基金
国家社科基金项目重大招标项目“改革开放40年文学批评学术史研究”(18ZDA276)
国家社科基金项目“东方美学的当代化与国际化会通研究”(18XWW003)的阶段性成果
关键词
国际视野
日本美学
美学事始
嬗变图式
international perspective
Japanese aesthetics
beginning of aesthetic affairs
transmutation of schemata
作者简介
麦永雄,男,1955年生,广西桂林市人。广西师范大学中国语言文学研究所所长、文学院教授、博士生导师。研究方向:当代哲学与美学,世界文学与比较诗学
