摘要
本文要论证的主要观点是文学史叙事故事性的三个基本特征,即"往事""差异"以及"建构"。这三个基本特征具体体现在文学史框架的构建、文学史文本的开放性以及文学史的潜文本和超文本。这三者或有部分重叠之处,不过它们还是有所不同:文学史框架揭示的是因其支撑性和约束性而演绎出来的故事;文学史文本的开放性主要指向阐释的多种可能性,不同的阐释演化出不同的故事;文学史的潜文本和超文本道出了文学史文本内部和文学史文本与外部相关联的故事。
The three major characteristics of the storyness of literary history will be discussed in the present paper,namely,"the past","difference"and"construction",which find expressions in the construction of the frame,the openness and sub-text and super-text in a literary history.Though they might be partially overlapped,these three expressions are different by nature:the frame of literary history tells the story that develops from its supportiveness and restraint;the openness of the text of literary history narrates the story of the multi-possibilities of interpretation and,the sub-text and super-text the story of the interrelationship and interaction between the internal and external texts of literary history.
出处
《南京社会科学》
CSSCI
北大核心
2021年第1期117-126,共10页
Nanjing Journal of Social Sciences
基金
国家社科基金重大项目“西方文论中的中国问题”(16ZDA194)的阶段性成果
作者简介
乔国强,上海外国语大学教授、博导,教育部“长江学者”特聘教授
