摘要
通过文献计量法,运用CiteSpaceV对2010—2020年度CNKI中国知网数据库中关于文创产品感性设计的931篇文献资料,进行时空分布、关注热点、动态演进的定量可视化研究。结果表明:文创产品感性设计的发文量在时间分布上呈稳步上升态势,但各研究机构的合作密度存在差异性;研究热点主要以博物馆、校园、旅游文创产品为研究对象,研究方法则以感性工学为基础,跨学科研究法应用广泛;而动态演进过程主要历经概念萌芽、平稳发展、激进突现三个阶段,感性设计已成为文创产品研发的主流方向。
With the bibliometric method and by using CiteSpace V,the article conducts a quantitative visualization research of temporal and spatial distribution of focus on hot spots,and of dynamic evolution on 931 documents on perceptual design of cultural and creative products in the CNKI(China National Kmowledge Infrastructure)database from 2010 to 2020.The results show that the amount of articles published on perceptual design cultural and creative product is steadily increasing in time distribution,but the cooperation density of various research institutions is different;the research hotspots mainly focus on museums,campuses,and tourism cultural and creative products,and the research methods are based on perceptual engineering,with interdisciplinary research methods widely used;the dynamic evolution process mainly goes through three stages:conceptual budding,stable development,and radical emergence.Perceptual design has become the mainstream direction of cultural and creative product research and development.
作者
吴天宇
赵祎乾
Wu Tianyu;Zhao Yiqian
出处
《文化产业研究》
2020年第3期245-261,共17页
Cultural Industry Research
关键词
知识图谱
文献计量分析
感性设计
文创产品
Knowledge Graph
Bibliometric Analysis
Perceptual Design
Cultural and Creative Products
作者简介
吴天宇(1991-),安徽合肥人,南京理工大学设计艺术与传媒学院博士生。研究方向为工业设计、感性工学;赵祎乾(1991-),江苏南京人,南京理工大学设计艺术与传媒学院博士生。研究方向为工业设计、人机工程。
