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变格与定法:万树《香胆词》与《词律》关系发覆

Changes and Established Rules:The Relationship between Collected Ci-poetry of Wan Shu and His Rules of Ci-poetry
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摘要 万树《香胆词》用调多元、用体多样、用韵多变,意在追求新变,而其编纂之《词律》考调之异同、酌句之分合、辨字之平仄,试图探寻定法,创作与理论之间存在明显反差。万树词创作与词学理论存在矛盾反差的根源在于编纂《词律》所带来的影响的焦虑,也与其鲜明的创作个性和长期的游幕生活有直接关系,所以万树努力在词作形式上颠覆传统、求新求变,试图打破在《词律》中建立起来的定法,以此来保持新鲜感和陌生化。对于万树词,清人的评价呈现明显变化,从同时代词家的高度评价逐渐转为后世词坛的贬抑与批评,学界对万树词评价的变化实则从一个侧面反映出《词律》经典地位的确立。 Wan Shu’s writings of ci-poetry use various tunes,styles,and rhythms,aiming to pursue changes,while his theoretical work Rules of Ci-poetry emphasizes standardization,trying to explore established rules of the style,rhyme,and syntax in ci-poetry.Between his creation and theory there is thus an obvious contradiction,which can be explained,on the one hand,by the anxiety of influence derived from his compilation of Rules of Ci-poetry,and on the other,by his distinct creative personality and experience as an aide of generals.As a result,Wan Shu made efforts to subvert the tradition in the style of ci-poetry,seeking novelty and change to break the rules established in Rules of Ci-poetry.Qing poets’evaluation of Wan Shu’s ci-poetry changed obviously over time,ranging from celebration of his contemporaries to criticisms of posterity.Such a shift of the scholarly evaluations of Wan Shu’s creation of ci-poetry in fact registered the canonizing process of his Rules of Ci-poetry.
作者 王延鹏 Wang Yanpeng(the School of Humanity and Law,Hefei University of Technology,Hefei 230009,Anhui,China)
出处 《文艺理论研究》 CSSCI 北大核心 2022年第3期217-223,共7页 Theoretical Studies in Literature and Art
基金 国家社科基金青年项目“清代词谱与清代词学关系研究”[项目编号:19CZW034]阶段性研究成果。
关键词 万树 《香胆词》 《词律》 影响的焦虑 Wan Shu Collected Ci-poetry of Wan Shu Rules of Ci-poetry anxiety of influence
作者简介 王延鹏,文学博士,合肥工业大学文法学院助理研究员,主要从事词学、明清文学研究。通讯地址:合肥市包河区屯溪路193号合肥工业大学文法学院,230009。电子邮箱:wangyanpeng0501189@163.com。
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