摘要
艺术剧社成立于1929年,是中国共产党领导下的第一个无产阶级革命戏剧团体。该社从成立到被查封,不足一年。短暂的存在时间内,艺术剧社秉持"集团生活的艺术"的戏剧观念,进行了两次公演和多次移动演剧活动,并且提出了"普罗列塔利亚戏剧"的口号。艺术剧社是应当时社会政治与文学环境应运而生的,其组织建构、公演剧目、戏剧理论等方面从诞生之初就自然地带有革命化、大众化的色彩。在这其中,最能体现其政治色彩的集体性行为便是两次公演。这两次公演先后演出了五部话剧,开启了无产阶级演剧运动的序幕,为20世纪30年代的左翼戏剧运动奠定了政治基调,起到了不可逾越的规范作用。本文将针对艺术剧社两次公演剧本的选择、得失以及其中的大众化特色、革命性属性等进行全面、深刻地考察,以期还原艺术剧社两次公演的历史全貌,分析并揭示其公演实践的价值与缺陷。
The Art Theater Company was established in 1929,and it was the first proletarian revolutionary drama group under the leadership of the Communist Party of China.It took less than a year from the establishment to the closure of the agency.In the short period of existence,it carried out two performances and several mobile performances with the theater concept of"the art of group life",and put forward the slogan of"Proletariat Drama".The art theater was born in response to the political and literary environment of the society.Its organizational structure,performances,drama theory,etc.have naturally been revolutionary and popular since its inception.Among them,the collective behavior which reflects its political color best was two performances.The two performances performed five plays successively,opening the curtain of the proletarian drama movement,laying the political tone for the left-wing drama movement in the 1930 s,and playing an insurmountable regulatory role.This article will conduct a comprehensive and in-depth investigation on the selection,gains and losses of the two performances of the Art Theater,as well as its popular features and revolutionary attributes,in order to restore the historical overview of the two performances of the Art Theater,analyze and reveal the value of its performance practice and defects.
出处
《海峡人文学刊》
2021年第2期144-154,160,共12页
Journal of Humanities Across the Straits
作者简介
徐国庆,上海师范大学人文学院博士研究生。主要研究方向:中国现当代文学。
