摘要
齐尔品来华是一个内涵丰富的中西音乐交流个案,加速了中国钢琴音乐的本土化,对中国音乐教育的贡献是中国专业音乐教育史上一笔重要的遗产。但是,齐尔品来华不无遗憾,他未能接触到"田野的声音",其中国歌剧计划在华期间亦未能实现。齐尔品来华期间报刊史料展露出萧友梅、杨仲子等中国音乐家当时的心态和他们在中国音乐文化现代转型中的困惑。
Tcherepnin visiting China can be a case study of Chinese-Western exchange in music, which accelerated the localization of piano music in this country. This is also a milestone-like heritage for Chinese professional music education history. However, he was unable to get in touch with any actual "field sound". In that way his Chinese opera plan had no chance to be realized. The journal reports also revealed the then mentalities of such Chinese musicians as Xiao Youmei and Yang Zhongzi with their puzzles while facing the modern transformation of Chinese musical culture.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2021年第1期80-99,5,共21页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2020年度中央支持地方高校改革发展资金人才培养项目“俄罗斯音乐成就的成因及对中国的启示研究”
作者简介
林媛(1978~),女,哈尔滨音乐学院教授,博士生导师,黑龙江省艺术文化学术交流基地兼职研究人员(哈尔滨150028)。
