摘要
所谓“女乐人”,是指“家妓”。正如有专家所说,“唐朝崇尚风流、喜好歌舞妓乐的世风使得高官显宦、王公贵族家中蓄养姬侍、家妓成风。……其中家妓也被称作‘女乐’‘歌舞人’‘音声人’等”[1]。近日,洛阳师范学院毛阳光教授惠赐《唐韩常侍故女乐人郭瑶之铭》拓片一方,是研究乐人这一阶层女性的重要资料。据墓志所载“蟾,字瑶之。小年名翠霞”。小年,幼年之意。
The epitaph of Guo Yaozhi is one of the important materials for researching women’s history,family history and social life history in the Tang Dynasty.It revealed a part of the family life about the scholar-officials in the Tang Dynasty,showed the living space and conditions of female musicians,and reflected the close relationship between the female musicians and the literati in the Tang Dynasty.It can’t be said that there is no emotion between scholar-officials and female musicians,but after all,female musicians are still musicians,not family members in the traditional sense.
作者
郭海文
张平
Guo Haiwen;Zhang Ping
出处
《唐史论丛》
2022年第2期274-286,共13页
