摘要
唐代集贤院的成立源于开元初内库图书整理工作。开元三年(715)十月唐玄宗以马怀素、褚无量为侍读,命他们整理内库藏书。开元五年(717)正月唐玄宗幸洛阳,改武后所建明堂为乾元殿,同年十一月诏于乾元殿东廊排写四部群书,并将长安内库书转移到乾元殿,以褚无量为使,置刊正官、押院中使、书直、御书手多名。开元六年(718)八月四部群书整理完成,十月玄宗还西京,乾元殿书籍尽归长安丽正殿继续整理。此后,丽正殿书院的修书地点又几经转移,褚无量卒后,元行冲、张说代为修书使,其职官制度也不断完备。
The Jixian Academy was the center of palace calligraphy during the Tang Dynasty.The relationship between Jixian Academy and the calligraphy in the mid to late Tang Dynasty is manifested in multiple aspects.Firstly,from its inception,it was entrusted with the important function of collecting,organizing,and collecting calligraphy and painting materials,which played a promoting role in the development of calligraphy in the Tang Dynasty.Secondly,the Jixian Academy had a large number of calligraphers,ranking among the top in the Central Library(中央文馆).Officials at all levels of the Jixian Academy were also renowned calligraphers,who not only deeply participated in palace calligraphy activities,but also extensively participatedin official and folk calligraphy exchanges,expanding the influence of Jixian Academy calligraphy.Finally,the Jixian Academy nurtured the“Pavilion style”of the Tang Dynasty,mainly manifested in the imitation of the style of Wang Xizhi and Wang Xianzhi,the admiration for the Ba Fen(Li-Calligraphy),and the study of Gu Wen(seal character).Although the formation of this style of writing was driven by the personal preferences of emperors and the gradual spread of the era’s style of writing,the functional characteristics of the Jixian Academy itself are undoubtedly the main reasons.The formation of the“Pavilion style”in the Jixian Academy had a direct impact on the calligraphy style of the Hanlin Academy in the Tang Dynasty and later in other eras.This is a rich and colorful stroke in the history of ancient Chinese calligraphy.
作者
张丹阳
龙成松
Zhang Danyang;Long Chengsong
出处
《唐史论丛》
2024年第1期200-218,共19页
基金
辽宁省哲学社会科学基金重点项目“出土文献与唐代东北亚文学交流研究”(项目编号:L22AZW003)阶段性成果
