摘要
张洁在《无字》中描写了墨荷、叶莲子、吴为祖孙三代的女性生存体验和人生经验。墨荷以传统女性的形象体现了女性的贞静、柔顺和忍耐,对现实沉默抗争;叶莲子性情柔弱,固守传统道德伦理规范;吴为比祖母和母亲更多了一份理性,在孤独、寂寞、绝望、虚无的人生里通过建构母女共生关系获得自我生存意义,走向女性的自我回归之路。作者通过这三位女性形象的塑造,书写女性对男性的想象、建构、解构的心路历程,深刻反思现实生活中的两性关系,并以女性自我建构的方式探寻女性生存之路。
In No Words,Zhang Jie describs the survival and life experiences of three generations of women,Mohe,Ye Lianzi,and Wu Wei.Mo He embodies the chastity,suppleness and patience of the traditional women,protesting the reality silently.Ye Lianzi has the weak temperament,adhering to the traditional moral and ethical norms.Wu Wei is more rational than his grandmother and mother.She gains self-existence meanings through the construction of a mother-daughter symbiosis relationship in loneliness,despair,and nothingness life,which leads to the path of women’s self-return.Through the creation of the three female images,the author writes the mental process of women’s imagination,construction and deconstruction of men,which deeply reflects the relationship between the sexes in real life,and explores the way of women’s survival through the women’s self-construction.
作者
徐红艳
XU Hongyan(School of Literature and Communication,Xianyang Normal University,Xianyang 712000,Shaanxi,China)
出处
《咸阳师范学院学报》
2021年第3期115-120,共6页
Journal of Xianyang Normal University
关键词
女性经验
想象
建构
解构
自我建构
women’s experience
imagination
construction
deconstruction
self-construction
作者简介
徐红艳(1977-),女,河南方城人,咸阳师范学院文学与传播学院副教授,研究方向为文学批评、动漫研究。
