摘要
敦煌不仅有浩繁的典籍文献、精美的石窟艺术,其壁画艺术更是蔚为大观,在世界绘画艺术史上有着极其重要的地位。目前关于敦煌毗楞竭梨故事壁画研究多偏重于构图形式、艺术价值、美术考古等方面,用藏文古籍文献视角探析尸毗王本生图像的研究较少。文章依据藏文古籍文献及文本,通过对莫高窟第257与第302窟毗楞竭梨王本生图像分析,对藏文古籍文献记载的毗楞竭梨王本生故事与壁画进行了对比研究。
Dunhuang,with its ups and downs,enjoys a world-renowned reputation not only for its numerous ancient books and documents and exquisite grotto art,but also for its fresco art,which is occupies an extremely important position in the art history of world painting.At present,the research on dunhuang story of King Self-Sacrifing that is frescoes focuses on composition form,artistic value,art archaeology and so on.However,there are few researches on the image of King Self-Sacrifing from the perspective of Tibetan ancient text books.It’s based on ancient Tibetan literature and texts,this paper compares the stories of King Self-Sacrifing recorded in ancient Tibetan literature and murals by analyzing the images of King Self-Sacrifing in Caves 257 and 302 of Mogao Grottoes.
作者
环科才让
索南东主
Dbalkhor Tsering;Suonan Dondrub
出处
《西藏艺术研究》
2021年第4期52-57,29,共7页
Tibetan Art Studies
关键词
藏文古籍文献
敦煌壁画
毗楞竭梨本生
对比
Tibetan ancient text
Dunhuang frescoes
Story of King Self-Sacrifing
Comparison The film and television media
作者简介
环科才让,青海师范大学民族师范学院藏语言文学系2020级硕士研究生;索南东主,青海师范大学民族师范学院教授
