摘要
作为汉语文学最早的诗歌总集,《诗经》中蕴含的语言艺术直接体现了诗歌韵律的本质要求:重复1。无论是叠字、叠句还是重章叠唱,都在不同的韵律单位实现着重复,形成鲜明的诗体美感。其中,《诗经》四言句内部的重复与韵律层级中的音节和音步直接关联,是研究《诗经》韵律的重要切入点。
Repeated tetrasyllabic forms in feng(风,ballad),ya(雅,ode)and song(颂,hymn)of Shijing include ABAB,AABB,ABAC and ABCB forms.Distribution of these forms in different registers is highly related to prosody,in that:1.ABAB forms show relative prominence(trochee)within a foot,which is related to informality,therefore mostly found in feng;2.AABB forms show relative prominence between two feet and equilibrium within a foot.This is related to formal/elevated register,therefore AABB forms are mostly found in ya and song;3.ABCB and ABAC forms usually contain trochees and iambs respectively.Trochaic patterns ABCB are mostly used in informal register,while iambic ones ABAC are more observed in formal/elevated registers.
作者
袁愫
Yuan Su(Department of Chinese Language and Literature,The Chinese University of Hong Kong)
出处
《韵律语法研究》
2020年第2期185-200,共16页
Studies in Prosodic Grammar
关键词
语体语法
正式体
非正式体
韵律层级
声学特征
Stylistic-Register Grammar (SRG)
formal speech
informal speech
prosodic hierarchy
prosodic features
作者简介
袁愫,香港科技大学语文教育中心,lcsuyuan@ust.hk
