“别现代”语境下第一人称文化身份的重拾与复归——以当下民族民间舞蹈实践与理论为例

The Rejuvenation and Restoration of the First Person Cultural Identity in the Context of“Bie-Modernity”:Take the Current Ethnic Folk Dance Practice and Theory as Example

原文传递

导出

摘要 “主体性构建”是当下国家层面倡导的哲学及文化、艺术领域重大战略问题,也是“现代性”危机对民族民间舞蹈传承与发展的潜在挑战与内在要求。文章以“别现代”哲学语境下民族民间舞蹈实践与理论研究的部分现象为例,通过“文化身份”这样一种特殊视角的品评与分析,反思当下民族民间舞蹈创作领域“主体缺失”“理论缺席”“美学漂移”“话语倒置”等问题的根源,是源于实践者与理论家“第一人称”文化身份的丧失。民族舞蹈“文化主体性”之构建,核心仍在“第一人称”文化身份的重拾与复归,如此方能在认同与别异中认清自己,坚守自身的文化特异性,从而实现文化“自觉、自信、自省、自强”的民族舞蹈创作新愿景,从实践到理论实现民族舞蹈话语之表述,民族舞蹈美学之彰显,民族舞蹈符号之构建,继而在人类文明的多元世界中,标识出中华民族舞蹈从“第一人称”出发的存在及坐标。 Advocated at the national level,“the construction of subjectivity”is a major strategic issue in the fields of philosophy,culture,and art.It is also a potential challenge and inherent requirement for the inheritance and development of ethnic folk dance under the“modernity”crisis.In the philosophy context of“Bie-modernity”theory,this article takes some phenomena in the practice and theoretical research of ethnic and folk dance as an example.Through a special analysis perspective based on“cultural identity”,the author reflected on the root causes of current problems in the field of ethnic and folk dance creation,such as“absent subject”,“theoretical absence”,“aesthetic drift”,and“discourse inversion”,which stem from the loss of“first person”cultural identity of practitioners and theorists.The construction of the“cultural subjectivity”of ethnic dance still lies in the restoration of the“first person”cultural identity.Only in this way can we recognize ourselves through identification and differentiation,adhere to our own cultural specificity,and achieve a new vision of cultural“consciousness,confidence,introspection,and self-improvement”in ethnic dance creation.From practice to theory,we can express the discourse of ethnic dance,demonstrate the aesthetics of ethnic dance,and construct symbols of ethnic dance.Furthermore,in the diverse world of human civilizations,this can identify the existence and coordinates of Chinese national dance starting from the“first person”cultural identity.

作者海维清 Hai Weiqing

机构地区四川大学艺术学院

出处《云南艺术学院学报》 2023年第4期46-51,共6页 Journal of Yunnan Arts University

基金国家社会科学基金2019年艺术学专项西部项目“传播符号学与舞蹈‘表意’研究”(立项号:19EE203)阶段性研究成果

关键词民族民间舞蹈别现代文化身份主体性理论与实践 Ethnic folk dance Bie-modernity cultural identity subjectivity theory and practice

分类号 J70-02 [艺术—舞蹈]

作者简介海维清,四川大学艺术学院副教授,硕士研究生导师。