摘要
深生态学的核心是从人类精神史的深层生存视角出发提出人类何处去的关键问题。蒙古族题材电影《白云之下》是一部反映草原人面对现实生活的改变如何抉择的文艺片,试图以壮美的草原风光和蒙古民众的现代生活为路径,用电影的艺术手段追问和解答“人与自然的当代关系”以及当代社会“人的存在”意义。影片告诉我们:自然在人类自我身份确认中有着不可或缺的作用。创建一种审美式的有内涵的生活方式,从而重建我们的意义世界是《白云之下》的企盼。
The core of deep ecology is to propose key questions of where humans go from the perspective of survival in human spiritual history.The Mongolian film Chaogtu with Sarula is an artistic film that reflects the choices of grassland ethnic people when facing changes in real life.Taking the magnificent grassland scenery and the modern life of Mongolian people as presentation path,it attempts to use the artistic means of film to ask and answer the question about“contemporary relationship between humans and nature”and the meaning of“human existence”in contemporary society.The film tells us that the nature plays an indispensable role in human’s construction of identity.Creating an aesthetic and meaningful way of life in order to rebuild our world of meaning is the aspiration of Chaogtu with Sarula.
出处
《云南艺术学院学报》
2023年第4期96-100,共5页
Journal of Yunnan Arts University
关键词
《白云之下》
深生态学
精神危机
生存意义
绿色生活
重建
Chaogtu with Sarula
deep ecology
spiritual crisis
significance of survival
green life
reconstruction
作者简介
王四四,西藏大学文学院博士研究生,广西民族师范学院副教授。
