摘要
在《文心雕龙》的拟人化文学结构观里有"辞采为肌肤"一语。传统观念往往认为刘勰是把作为"肌肤"的"辞采"置于作为"神明"的"情志"之下,并反对华丽文辞对情感表达的妨害。但通过对六朝人物绘画中传达神韵、摹写形象等理论的分析会发现:受古代有机生命化哲学思维的影响,并基于六朝特殊的美学意识,六朝文学艺术领域里普遍存在既强调情感蕴藉,又重视形式美感,并借助形式来表现作品情感蕴藉的倾向。受此影响,《文心雕龙》中的"辞采为肌肤"既表明语言是文学的物质存在基础,又体现了文辞独立的审美价值,且认为文辞对思想情感有积极的表现作用。只有充分重视《文心雕龙》中语言形式观的复杂内涵,才能对刘勰有机生命化的文学结构观有深刻理解。
In The Literary Mind and the Carving of Dragon by Liu Xie,there is a metaphor that goes somewhat like"beautiful words are only skin deep".It is traditionally believed that Liu Xie argues against the abuse of beautiful words that might hurt the expression of feelings.However,the analysis of the figure-painting theories of the Six-Dynasties reveals that the works of art and literature of this period attached importance to both the emotional expression and the beautiful form due to the philosophical thinking of organic life and the aesthetic criteria of the Six-Dynasties.Thus,"beautiful words are only skin deep"in The Literary Mind and the Carving of Dragon reveals that language is the material basis of literature and has its own aesthetic value.A comprehensive understanding of the rich implications of the language form in The Literary Mind and the Carving of Dragon will render a thorough interpretation of Liu Xie’s concept of organic constitution of literature.
作者
杨冬晓
YANG Dong-xiao(Hebei University of Technology and Science,Shijiazhuang 050018,China)
出处
《云南大学学报（社会科学版）》
北大核心
2020年第2期89-97,共9页
The Journal of Yunnan University:Social Sciences Edition
基金
教育部人文社会科学研究青年项目(项目号:15YJC751052)
河北省社会科学基金项目(项目号:HB15WX023)的阶段性研究成果.
关键词
辞采为肌肤
六朝人物画论
人化文评
形式与内容
"beautiful words are only skin deep"
figure-painting theory of the Six-Dynasties
figure-painting critique
form and content
作者简介
杨冬晓,文学博士,河北科技大学文法学院讲师。
