摘要
本文在梳理上海剧院发展历史和现状的前提下,总结了当前上海剧院发展的三种集聚模式:一是基于城市综合文化体的剧场带和商圈的结合;二是老剧场改造个性化定位;三是小剧场商场一体化模式。在分析现有三种剧院发展模式的基础上,本文结合上海城市文化发展的步伐,提出了与建设全球城市形成对应关系、大力推行驻场演出计划等措施。上海剧院的发展积极融入城市文化,不仅彰显了剧院本身的文化属性和功能定位,而且带动了整个城市文化的进步和城市艺术品格的提升。
On the premise of combing the history and current situation of Shanghai theatre development,this paper summarizes three kinds of agglomeration modes of Shanghai theatre development,one is the combination of theatre belt and business circle based on urban comprehensive culture,the other is the individualized orientation of old theatre transformation,and the third is the integration mode of small theatre and shopping mall.On the premise of analyzing the three modes of theatre development,the paper puts forward corresponding measures to build a global city and vigorously implement the Live Show Plan,combining with the pace of Shanghai’s urban cultural development.The development of Shanghai theatre has been actively integrated into urban culture,which not only highlights the cultural attributes and functional orientation of the theatre itself,but also promotes the progress of urban culture and the upgrading of urban art character.
出处
《艺术管理（中英文）》
2019年第4期82-88,共7页
Journal of Arts Management
关键词
剧院
城市文化
集聚模式
Theatre
Urban Culture
Agglomeration Mode
作者简介
韩爽(1989—),女,山东青岛人,文学硕士,上海戏剧学院研究生部助理研究员。在《戏剧艺术》《戏剧文学》《上海艺术评论》等核心期刊发表多篇学术论文,完成中国学位与研究生学会课题1项,上海戏剧学院高原学科艺术学理论课题1项,上海戏剧学院青年教师科研课题4项。研究方向:艺术管理、中外戏剧节比较。
