摘要
20世纪中国钢琴重奏音乐的发展经历了四个阶段:第一阶段,民族钢琴音乐萌芽,为民族钢琴重奏作品的出现奠定基础;第二阶段,作曲家们开始对民族化重奏作品的创作进行尝试,中国钢琴重奏作品初具雏形;第三阶段,作曲家们为钢琴重奏作品民族化创作开辟出全新的道路,蕴含红色精神的重奏作品迸发出澎湃的活力;第四阶段,民族钢琴重奏作品的创作趋于成熟,独具民族性的创作体系形成。
The development of 20^(th)-century Chinese piano ensemble music progressed through four distinct phases.In the initial phase,national piano music emerged,laying a foundation for the blooming of ensemble works with a national character.During the second phase,distinctive musical works began to take shape,and composers experimented with creating ensemble works that were imbued with nationalistic elements.In the third phase,ensemble works displaying the unique red spirit flourished,showing vibrant energy,and composers pioneered a novel path for national piano ensemble compositions.Finally,in the fourth phase,the creation of national piano ensemble works reached a higher level of maturity,evolving into a distinctively national creative system.
出处
《艺术探索》
CSSCI
2024年第2期108-113,共6页
Arts Exploration
作者简介
肖丹丹(1978—),女,侗族,广西艺术学院音乐教育学院教授,硕士研究生导师,研究方向:钢琴演奏与教学
