摘要
近现代以来,受西方文学理论的影响,关于诗画关系的讨论成为一个热门话题。朱光潜、宗白华、钱锺书等人都从各个角度参与其中,深化讨论的同时推动了中国文学理论的建设,也在中西比较过程中凸显了中国诗画理论的特点。今天再回过头去看那一场关于诗画关系的讨论,结合对诗乐关系的探讨,需要对诗画关系在中国是否真的构成比较的合法性进行追问,这样能更进一步见出这场讨论对于中国对西方文论引进之初的接受。当下对诗画关系的讨论则本质化为"文字"与"图像"的比较,从意象论、文学图像论、神经美学等角度研究诗画中的"象"思维。
Influenced by Western literary theories,the discussion between the relationship between poetry and painting has become a popular topic since modern time.Zhu Guangqian,Zong Baihua and Qian Zhongshu have all participated in this discussion from different perspectives,deepening the discussion while also promoting the construction of Chinese literary theories.Along with that,their participation has also highlighted the characteristics of Chinese theory on poetry and painting during the process of comparison between China and the West.Glancing back at this discussion,it is necessary to question via incorporating the discussion of poetry and music that if the comparison between poetry and painting is really valid in the Chinese context.Only through such questioning can we distinguish the original degree of acceptance of Western literary theory in China.Currently the discussion between the relationship between poetry and painting is essentialized into the comparison between"text"and"picture",and investigating the thoughts of"image"from the perspetives of image theory,literary-image theory and neurological aesthetics.
关键词
诗画关系
诗乐关系
文学理论
意象论
图像论
神经美学
the Relationship between Poetry and Painting
the Relationship between Poetry and Music
Image Theory
Pictorial Theory
Neurological Aesthetics
