摘要
在中国古典诗歌中,“出”“入”原是一组具备对偶义的常见汉字,其字义本身并未得到特别关注,但如果从一种生态人文视域出发,则在先秦至唐宋之间,伴随着诗歌中山水意蕴的发展,这一组对偶汉字亦逐渐从一种单纯的语用产生了审美意味及生态内涵。而就其文化隐寓来看,“出”“入”实际上反映了诗人对仕、隐的态度变化以及从山水到家园的回归意识。与此同时,作为一种艺术呈现,“出”“入”又折射出了一种“入乎其内,出乎其外”的诗性思维。
In classical Chinese poetry,“out”and“in”were originally a common set of Chinese characters with dual meanings,but their meanings themselves did not receive special attention.But if we start from an ecological and humanistic perspective,from the pre-Qin to Tang and Song dynasties,with the development of the landscape meaning in poetry,this group of antithetical words gradually developed aesthetic and ecological connotations from a simple pragmatic perspective.From the perspective of its cultural connotations,it actually reflects the poet’s changing attitude towards officialdom and seclusion,as well as his sense of return from mountains and rivers to his homeland.At the same time,as an artistic presentation,“out”and“in”also reflect a poetic thinking of“inside and outside”.
关键词
出
入
生态人文
仕与隐
入乎其内
出乎其外
Out
In
Ecological Humanities
Official and Hidden
Inside and Outside
作者简介
张思桥,安徽师范大学文学院讲师,主要研究方向为中国文化诗学、写作学。
