摘要
元无名氏杂剧《冯玉兰夜月泣江舟》与南宋王明清笔记小说《项四郎》在故事内容、叙事手法、创作理念上存在明显的承袭关系,同时又有一定的新变。在情节内容上,该剧增加戏曲叙事中流行的“孤儿复仇”和“清官断案”模式;在叙事方式上,戏曲保留了与小说相同的叙事简洁性,又补充细节、丰富角色增强戏剧张力;在价值表达上,虽同受创作上的“尚奇”理念影响,《项四郎》更侧重消闲、载道,《冯玉兰夜月泣江舟》则表现出对观赏性、娱乐性及寓教于乐功能的重视。
The Yuan Anonymous miscellaneous drama Feng Yulan Yeyue Qi Jiangzhou and Wang Mingqing’s novel Xiang Silang in the Southern Song Dynasty have obvious inheritance relationships in story content,narrative techniques and creative concepts.At the same time,there are certain new changes.In terms of plot content,the play adds thepopular“orphan’s revenge”and“honest and upright officials judging cases”modes in opera narratives;in terms of narrative mode,it retains the same characteristics of simplicity as in the narrative of the novel,and adds details and meticulously describes the main charactersto increase the tension of the drama;in terms of value expression,although influenced by the concept of pursuing strangenessin creation,Xiang Silang emphasized leisure and conveying truth,while Feng Yulan Yeyue Qi Jiangzhou turned to highlighting its ornamental,entertaining and edutainment functions.
作者
温笑笑
WEN Xiao-xiao(College of Literature and Journalism,Qingdao University,Qingdao 266071,China)
出处
《郑州师范教育》
2023年第5期59-64,共6页
Journal of Zhengzhou Normal Education
作者简介
温笑笑(1998—),女,河南洛阳人,青岛大学硕士研究生,主要研究方向:明清文学。
