摘要
晚明文人对于日常生活中审美意趣的营造极为关注,他们注重古董器物中的文化内涵,追慕古代道隐之士的审美趣味,并将其与日常生活联系在一起,构成一种清心乐志的尚“闲”的审美观。《燕闲清赏笺》是晚明时期代表性的鉴赏类著作,亦是晚明时期文人闲赏活动的缩影,其中不仅有历代名品之著录,更有品评赏鉴、辨别真伪、养护花草等诸多细节。本文以“闲”为出发点,聚焦高濂《燕闲清赏笺》,并结合晚明文人的鉴藏活动,从“闲与遵生”“闲与忘我”“闲与得趣”三个方面,解析晚明时期尚“闲”的美学观。
Scholars in the late Ming Dynasty paid great attention to the establishment of aesthetic interest in daily life.They valued highly the cultural connotations of antique artifacts,sought after the aesthetic interest of ancient Taoist hermits,and applied it in daily life,forming a kind of“leisure”aesthetics in pursuit of a pure and happy mind.Leisure and Appreciation Notes is a representative art evaluation work in that period and an epitome of the leisure appreciation activities of scholars in the late Ming Dynasty.It presents not only the detailed records of famous articles in the past dynasties,but also delicate descriptions about the activities of art evaluation and appreciation,identification of authenticity as well as flora maintenance.Oriented with the aesthetics of“leisure”,this paper makes a close reading of Gao lian’s Leisure and Appreciation Notes,in combination with the collection and evaluation activities of the late Ming literati,to probe into the aesthetic concept of“leisure”in the late Ming Dynasty from three aspects,leisure and respect to life,leisure and self-obliviousness,as well as leisure and enjoyment.
关键词
闲
遵生
忘我
得趣
leisure
respect to life
indulgence
enjoyment
作者简介
李兆玥(1994-),女,河北秦皇岛人,北京林业大学美术学硕士研究生,研究方向为中国美术史、中国美学
