摘要
在昭通作家群队伍中,杨昭长期从事小说创作,是最会讲故事的作家之一。相对于故事内容来说,他更重视故事的叙述本身。精巧的结构、细节的把握、典型的病态人物塑造和反讽的语言,构成了杨昭小说整体叙事上的“狂欢”,正是通过这些方面的实践,杨昭实现了他在创作中对于生活的“审视”和“反省”。
Among the writers in Zhaotong,Yang Zhao has been engaged in novel creation for a long time and is one of the most skilled storytellers.Compared to the content of the story,he places more emphasis on the narrative itself.The exquisite structure,mastery of details,typical pathological character portrayal,and ironic language constitute the"carnival"in the overall narrative of Yang Zhao's novels.It is through these practices that Yang Zhao realizes his"examination"and"reflection"of life in his creation.
作者
郭冬勇
GUO Dongyong(School of Humanities,Zhaotong University,Zhaotong 657000,China)
出处
《昭通学院学报》
2023年第6期19-24,共6页
Journal of Zhaotong University
关键词
结构
场景
病态
反讽
framework
spectacle
morbid state
irony
作者简介
郭冬勇(1980—)男,河南新郑人,副教授,硕士,主要从事现当代文学研究。
