摘要
传统山水画、山水诗与园林三者互相渗透,共同追求意境含蕴。文章借助《辋川集》《辋川图》与《拙政园三十一景图咏》,使用互文性比较手法,以诗文为引,结合画景进行解构分析,比较唐辋川别业与明拙政园在空间结构、语汇构成与时空共鸣三方面的异同,厘清背后原因,分析提取传统园林偏爱的空间节奏线索和诗境要素语汇、发掘游园情感共鸣与各要素组合之间的关系,进一步总结园林诗画意境营造方法,并对现代景观设计意境表达有一定启发。
The traditional landscape painting,landscape poetry and garden permeate each other.They all pursue the artistic conception.Based on The Collection of Wangchuan,The Picture of Wangchuan and The 31 Scenes and Poetries of Humble Administrator's Garden,under the guide and the deconstruction analysis of the poetic and painting scene,this paper uses the intertextual comparison method to compare the similarities and differences between Wangchuan Villa of Tang Dynasty and Humble Administrator's Garden of Ming Dynasty in the spatial structure,vocabulary composition and space-time resonance.We analysis and clarify the reasons behind to extract the spatial rhythm clues and the vocabulary of poetic elements preferred by traditional gardens,and then explore the relationship between the emotional resonance of garden tours and the combination of various elements,so as to summarize the methods of creating the artistic conception of traditional garden poetry and painting,and get some inspiration for the expression of the artistic conception of modern landscape design.
出处
《建筑与文化》
2023年第5期223-225,共3页
Architecture & Culture
关键词
风景园林
诗画艺术
意境营造
辋川别业
明拙政园
landscape architecture
poetry and painting art
artistic conception construction
Wangchuan Villa
Humble Administrator's Garden of Ming Dynasty
作者简介
王蓉蓉,同济大学建筑与城市规划学院硕士研究生;通讯作者:汪洁琼,同济大学建筑与城市规划学院建成环境技术中心副主任,副教授,博士生导师,高密度人居环境生态与节能教育部重点实验室(同济大学)水绿生态智能分实验中心(Eco-SMART LAB)联合创始人。
