摘要
艺术人类学以审美经验及艺术实践的跨文化研究为基本宗旨,但长期以来,对于"美"究竟是实质性的客观存在,抑或"美"只是在特定的传统文化脉络之下、意识形态式的政治话语体系之中、行业协会机制及艺术品市场的商业化运作的具体场景之内被人为地建构出来的?却始终存在着较大的分歧。文章试图以当前正在中国若干大、中城市里蔓延扩展的"汉服运动"为案例,通过参与观察的田野工作方法,实地调查积极投入"汉服运动"的一些都市青年男女的社会实践活动,进而探讨汉服之"美"的建构性。
Art Anthropology takes aesthetic experience and a cross-cultural study of art practice as its basic purpose,but since a long time,for ＂beauty＂,is it a substantial objective existence,or is it artificially constructed only under specific traditional cultural context,in political discourse system of ideology-style and in specific scenes of commercial operation for Industrial Association mechanism and artworks market？ But there always exist larger differences.This article attempts to take ＂Chinese clothing movement＂ which has spread currently in a number of large and medium cities in China as an example and by a participant observation of the field work methods,the article will give a spot investigation of social practice activities of urban young men and women who have taken an active part in ＂Chinese clothing movement＂,in order to explore the construction of ＂beauty＂ of Chinese clothing.
出处
《江南大学学报（人文社会科学版）》
2012年第2期94-99,共6页
Journal of Jiangnan University：Humanities & Social Sciences Edition
基金
笔者主持的日本学术振兴会资助课题"有关中华世界之唐装
汉服
汉服运动的人类学研究"(2011-2013)的研究成果之一
关键词
汉服
“美”的建构性
再生产
Chinese clothing
Construction of ＂beauty＂
Reproduction
作者简介
周星（1957-），男，人类学博士，日本爱知大学国际交流学部教授．
