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敦煌莫高窟第285窟北壁供养人像和供养人题记 被引量:9
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作者 石松日奈子 筱原典生 于春 《敦煌研究》 CSSCI 北大核心 2016年第1期12-25,共14页
敦煌莫高窟第285窟(西魏)的营造过程,历来有两种解释:其一是窟内的塑像和壁画统一规划制作,各壁面的造像内容相互关联;其二是按照西壁→南壁和天井→北壁和东壁的顺序依次制作,由于施工途中计划改变,导入了新的构思和中原风格等壁画样... 敦煌莫高窟第285窟(西魏)的营造过程,历来有两种解释:其一是窟内的塑像和壁画统一规划制作,各壁面的造像内容相互关联;其二是按照西壁→南壁和天井→北壁和东壁的顺序依次制作,由于施工途中计划改变,导入了新的构思和中原风格等壁画样式。笔者赞同后者之说。通过对北壁壁画的图像、样式、画技、材料、色彩、供养人像的构成和服装、供养人题记等进行详细分析,认为七幅壁画由四个不同的画家团队绘制。七幅说法图是汉族和胡族的混血家族集团成员的小规模供奉。第285窟可能是原本作为僧人修行场所的莫高窟,对在家信徒开放供奉的初例。 展开更多
关键词 莫高窟第285窟 供养人像 题记 北方系胡服 西方系胡服
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中国古代石雕论--石兽、石人与石佛 被引量:8
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作者 石松日奈子 杨效俊 《考古与文物》 CSSCI 北大核心 2010年第6期79-91,共13页
In China,during the Han dynasty,large-scale,three-dimensional stone sculpture appeared.Stone animals and stone human figures were erected in front of tombs and on their approach routes.Chinese art,which had long loath... In China,during the Han dynasty,large-scale,three-dimensional stone sculpture appeared.Stone animals and stone human figures were erected in front of tombs and on their approach routes.Chinese art,which had long loathed realistic representation of human body,began to turn towards the human body.However,these stone human figures were cloaked in thick garments,and their expression was nothing more than generalized surface treatments.In the first half of the 5th century,Chinese stone sculpture met an unprecedented foreign influence in its encounter with Buddhist art,and there was a rapid development of human figural sculpture viaBuddhist sculptures.In the Tang dynasty,a Chinese style of Buddhist sculpture,fitted with both bodily expression and decorative qualities,matured.On the other hand,the erection of stone sculptures and steles spread in the general classes and in regional areas,given the undercurrent of China’s native preference for,and reverence of,jade.Chinese stone sculpture developed amidst a repetition of being greatly swayed by the "foreign" and held back by the ’traditional.’ In the history of Chinese stone sculpture,it was always foreign cultures that brought the opportunity for the birth of new changes. 展开更多
关键词 石雕 石兽 石人 石佛
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