20世纪初,勒柯克(Albert Von Le Coq)三次参与新疆田野考古。作为“他者”,勒柯克的研究立场与文化身份在其探险式田野调查与著作中时显时隐。在批判勒柯克考察研究中“西方文化中心主义”的同时,肯定其多元文化、多民族文明互动的研究...20世纪初,勒柯克(Albert Von Le Coq)三次参与新疆田野考古。作为“他者”,勒柯克的研究立场与文化身份在其探险式田野调查与著作中时显时隐。在批判勒柯克考察研究中“西方文化中心主义”的同时,肯定其多元文化、多民族文明互动的研究取径,对揭示新疆美术史的内涵与当代价值,促成中国边疆艺术史与艺术研究的“本土化”,具有重要借鉴意义。展开更多
The term Three Perspectives(San Yuan) described by GuoXi in his art book, Lin QuanGao Zhi, was explained asthree kinds of perspectivesand named as Scattering Per-spective (San Dian Tou Shi) inthe view of Western art b...The term Three Perspectives(San Yuan) described by GuoXi in his art book, Lin QuanGao Zhi, was explained asthree kinds of perspectivesand named as Scattering Per-spective (San Dian Tou Shi) inthe view of Western art bysome art researchers. Is itright? The writer, Liu Ting,believes that is a mistake.She say:" Affecting by theworld view of traditionalChinese philosophy, theterm Three Perspectives actu-ally reflects a mood and anideal state of artists, whichis not corresponding to thescientific term in Westernart system.展开更多
文摘20世纪初,勒柯克(Albert Von Le Coq)三次参与新疆田野考古。作为“他者”,勒柯克的研究立场与文化身份在其探险式田野调查与著作中时显时隐。在批判勒柯克考察研究中“西方文化中心主义”的同时,肯定其多元文化、多民族文明互动的研究取径,对揭示新疆美术史的内涵与当代价值,促成中国边疆艺术史与艺术研究的“本土化”,具有重要借鉴意义。
文摘The term Three Perspectives(San Yuan) described by GuoXi in his art book, Lin QuanGao Zhi, was explained asthree kinds of perspectivesand named as Scattering Per-spective (San Dian Tou Shi) inthe view of Western art bysome art researchers. Is itright? The writer, Liu Ting,believes that is a mistake.She say:" Affecting by theworld view of traditionalChinese philosophy, theterm Three Perspectives actu-ally reflects a mood and anideal state of artists, whichis not corresponding to thescientific term in Westernart system.
