摘要
梅兰芳在他的艺术生涯中 ,为传统京剧艺术在现代社会的生存和发展做了多方面的探索 ,形成了一种可称之为“‘移步’而不‘换形’”的京剧改革模式。
Mei Lanfang made a way for the existing and developing of traditional Beijing Opera in modern society in his whole life. This paper discusses Mei Lanfang's idea on Beijing Opera's Reformation, “Stepping but not Transfiguring”, and calls it as Mei Langfang's Pattern.
出处
《北京社会科学》
CSSCI
2003年第4期131-139,155,共10页
Social Sciences of Beijing
关键词
京剧艺术
梅兰芳
“移步”
“换形”
艺术风格
Beijing Opera reformation
Mei Lanfang's Pattern
Stepping
Transfiguring
