摘要
农业类博物馆在开发博物馆戏剧项目时,往往面临戏剧主题缺乏吸引力、公众参与度不高、展示方式单一等困境。为了更好地活化农耕文化,中国农业博物馆以清代画家焦秉贞绘制的《御制耕织图》为蓝本,创新编制原创实验京剧小戏《耕织曲》,并在博物馆内演出。基于博物馆戏剧理论与戏曲历史梳理,文章从多个维度论证利用戏曲创制农业题材博物馆戏剧、活化与传播农耕文化的必要性和可行性,并以《耕织曲》为例,详细分析其在戏曲活化的蓝本选择、剧情叙事的创设、戏曲元素的设计和博物馆的时空契合等方面的创新实践,探讨农耕展陈特色与戏曲表演有机融合方式,以期为农业类博物馆探索戏剧活化形式提供借鉴,推动农耕文化的创新性发展与传承。
Agricultural museums often face the difficulties of unattractive drama theme,low public participation and single display mode when developing museum drama projects.In order to better activate farming culture,China Agricultural Museum innovatively created and staged an original experimental Peking Opera drama Farming and Weaving Song(《耕织曲》)based on the Imperial Farming and Weaving Map(《御制耕织图》)drawn by Qing Dynasty painter Jiao Bingzhen(焦秉贞),and performed it in the museum.Based on the theory of museum drama and the history of drama,this paper demonstrates the necessity and feasibility of using drama as a form to create museum dramas with agricultural themes and to activate and spread agricultural culture from multiple dimensions.Taking Farming and Weaving Song as an example,this paper analyzes its innovative practice in the aspects of blueprint selection,plot narrative creation,design of drama elements and space-time integration with museums.It also discusses the organic integration of agricultural exhibition features and drama performances,with a view to providing reference for agricultural museums to explore drama activation forms and promoting innovative development and inheritance of farming culture.
作者
王颐姗
赵靓
Wang Yishan;Zhao Liang(Agricultural History Research Department,China Agricultural Museum,Beijing 100026;Social Education Department,China Agricultural Museum,Beijing 100026)
出处
《古今农业》
2025年第3期124-136,共13页
Ancient and Modern Agriculture
作者简介
王颐姗(1990-),女,中国农业博物馆农业历史研究部助理研究员,研究方向为农耕文明、多物种民族志、农业文化遗产;赵靓(1995-),女,中国农业博物馆社教部助理研究员,研究方向为博物馆社会教育。
