摘要
长春电影制片厂旧址博物馆景观设计旨在挖掘并传承中国电影发展从起步到繁荣的珍贵记忆与深厚文化底蕴,增强公众对电影工业历史的认知与情感共鸣。从历史沿革、地形地貌、交通、水文、植被条件等多维度进行研究分析,通过实地勘察,梳理长春电影制片厂旧址内建筑、设施等物质遗存的历史脉络与空间关系。运用场景再现、文化符号转译、空间叙事等手法,将电影工业元素巧妙融入景观环境设计。该项目结合现代景观设计理念与技术,平衡保护与创新的关系,实现历史与现代的“对话”。该方法不仅有效保护和传承了工业文化遗产,还为游客提供了沉浸式的文化体验空间,为电影工业遗产的景观设计与活化利用提供了新的思路与实践范例。
The landscape design of the Changchun Film Studio Historic Site Museum aims to excavate and inherit the precious memories and profound cultural heritage of China’s film industry development from its inception to prosperity,enhancing public awareness and emotional resonance with the history of film industrialization.Through multidimensional analysis encompassing historical evolution,topography,transportation,hydrology,and vegetation conditions,as well as on-site investigations,the project clarifies the historical context and spatial relationships of architectural and infrastructural relics within the Changchun Film Studio Historic Site.By employing techniques such as scene recreation,cultural symbol transference,and spatial narrative,elements of film industrial heritage are seamlessly integrated into the landscape environment.Combining modern design philosophies and technologies,the project balances preservation and innovation,fostering a“dialogue”between history and modernity.This approach not only safeguards and revitalizes industrial cultural heritage but also provides visitors with an immersive cultural experience,offering novel insights and practical models for the landscape design and adaptive reuse of film industrial heritage.
作者
齐伟民
穆然楠
QI Weimin;MU Rannan(Jilin Jianzhu University,Changchun Jilin 130118,China)
出处
《北方建筑》
2025年第3期3-9,共7页
Northern Architecture
关键词
电影工业遗产
景观设计
工业遗产保护与更新
film industrial heritage
landscape design
industrial heritage protection and renewal
作者简介
齐伟民(1967~),男,吉林省长春市人,教授,硕士,研究方向:环境设计历史及其理论研究。
