摘要
老河口木板年画是传统文化物态化呈现的一种特色的绘画体裁,也是荆楚地域唯一的年画类国家级非物质文化遗产。时过境迁,虽鼎盛不再,但老河口木板年画蕴含着传承地域文化记忆、展现传统文化图景、增进文化自信自强的时代价值。目前,老河口木板年画在官方的推动下不断进行文化“符号化”、文化“商品化”、文化“仪式化”等社会建构,年画非遗资源不断转化为地方文化资本。在非物质文化遗产开发热的时代语境中,权力向资本的转移助推了老河口木板年画的文化再生产转向,及其区域意象空间从国家向地方的转换,解剖隐藏其中外推和内生的文化再生产动力机制,能为老河口木板年画的自我表达提供多种可能性,以期实现优秀传统文化的创造性转化和创新性发展。
Laohekou Woodblock New Year Pictures is a distinctive painting genre presented in materialized traditional culture,and it is also the only national intangible cultural heritage of New Year Pictures in Jingchu area.With time passing,although its old glory fades,the woodcut New Year pictures still has its values today because it keeps regional cultural memory,shows the traditional cultural picture and enhances cultural self-confidence.At present,under the promotion of the government,the woodbblock New Year pictures in Laohekou are constantly undergoing social construction such as cultural symbolization,commercialization and ritualization,and the intangible resources of the New Year pictures are constantly transformed into local cultural capital.In the context of intangible cultural heritage development,the transfer of power to capital has promoted the cultural reproduction turn of Woodblock New Year Pictures and the transformation of its regional image space from top to bottom.Analysis of the dynamic mechanism of cultural reproduction can provide various possibilities for the self-expression of Woodblock New Year Pictures so as to realize the creative transformation and innovative development of fine traditional culture.
作者
黎锁
LI Suo(National Research Center of Cultural Industries,Central China Normal University,Wuhan 430079,China)
出处
《太原师范学院学报（社会科学版）》
2023年第3期90-96,共7页
Journal of Taiyuan Normal University:Social Science Edition
基金
国家文化和旅游科技创新工程项目“湖北省非物质文化遗产数字化传播创新应用示范”(2019—008)
延安戏曲改革与20世纪中国文艺大众化(2018SJA1508)。
关键词
文化资本
非物质文化遗产
老河口木板年画
文化再生产
cultural capital
intangible cultural heritage
Woodblock New Year Pictures in Laohekou
cultural reproduction
作者简介
黎锁(1999-),男,湖北咸宁人,华中师范大学国家文化产业研究中心在读研究生。
