摘要
广府祠堂是乡土建筑遗产的重要部分,其保护修缮主要重视传统形态空间的复原,但如何活化利用是乡村文化复兴的难点和痛点。文章首先基于多座广府祠堂修复案例的调研,概括出“嵌入、流动、内生”三种艺术介入的模式。然后分析顺德乐从陈家祠的多年实践过程,探索“艺术介入+社区营造”的广府祠堂文化复兴路径,为众多的乡土建筑遗产文化保育、活动创新提供方法与经验,助推乡村振兴的实现。
Guangfu Ancestral Hall is the most important part of local architectural heritage,its protection and repair mainly focus on the restoration of traditional form space.How to activate and utilize them after restoration is an urgent need for the implementation of Rural Revitalization Strategy and cultural renaissance.Based on the investigation of several restoration cases in Guangdong,this paper summaries three modes of art intervention,namely"embedding,flowing and endogenous"Then,through analyzing the practice process of many years in Lecong Chen ancestral temple in Shunde,the author explores the cultural revival path of Cantonese ancestral temple as"art intervention+community Revitalization".It provides methods and experiences for numerous local architectural heritage cultural conservation and activity innovation,gives great help to promotes national rural vitalization.
出处
《建筑与文化》
2023年第8期252-254,共3页
Architecture & Culture
基金
广东省哲学社会科学规划项目《艺术介入社区营造视阈下的广府祠堂重塑策略研究》(项目编号:GD20CYS25)。
关键词
艺术介入
广府祠堂
社区营造
文化复兴
art intervention
Cantonese ancestral temple
community revitalization
cultural renaissance
作者简介
梅策迎,广东工业大学艺术与设计学院副教授;何姹琅,广东工业大学艺术与设计学院硕士研究生;通讯作者:赖文波,华南理工大学建筑学院副教授。
