摘要
钱中文和叶秀山的“文艺反映论”都是对传统文艺反映论的创新性发展,但二者差异颇大。就“反映者”而言,前者强调创作主体,后者推崇艺术家。在反映者定位和反映者能力的阐述上二者差异明显:前者将反映者定位为“主体”,后者将反映者定位为“在世界中的人”;前者看重反映者的“感动力”,后者看重反映者的“洞察力”。就“反映内容”而言,虽然二者都坚持“文艺是现实生活的反映”,但在对“现实生活”的界定和“反映内容”的认定上,二者却有差异:前者将“现实生活”界定为“客观现实”,后者将“现实生活”界定为“生活世界”;前者将“反映内容”认定为“心理现实”,后者将“反映内容”认定为“基础生活”。就“反映方式”而言,前者认为其是创作主体“改造”客观现实,后者认为其是艺术家“揭示”基础生活。差异成因源自二者在思想动因、理论基础、思维方式和价值取向上的不同。
Qian Zhongwen’s and Ye Xiushan’s“Literary Reflection Theory”are both innovative developments of traditional literary reflection theory,but they are quite different.As far as the“reflector”is concerned,The former emphasizes the creative subject,while the latter respects artists.There are obvious differences between the two in the positioning of the reflector and the elaboration of the ability of the reflector:the former positions the reflector as the“subject”,while the latter positions the reflector as the“person in the world”;The former values the“sense power”of the reflector,while the latter values the“insight power”of the reflector.As far as the“content of reflection”is concerned,although both insist that“literature and art are the reflection of real life”,there are differences in the definition of“real life”and the identification of the“content of reflection”:the former defines“real life”as“objective reality”,while the latter defines“real life”as“living world”;The former regards the“content of reflection”as“psychological reality”,while the latter regards it as“basic life”.As far as the“mode of reflection”is concerned,the former holds that it is the objective reality of“transforming”the creative subject,while the latter thinks that it is the artist’s“revealing”the basic life.The reasons for these differences are the differences in ideological motivation,theoretical basis,thinking mode and value orientation.
作者
牟方磊
MU Fanglei(College of Liberal Arts,Hunan Normal University,Changsha 410081,China)
出处
《湖南工业大学学报（社会科学版）》
2021年第3期36-43,共8页
Journal of Hunan University of Technology(Social Science Edition)
基金
国家社会科学重大项目“中国特色文学理论建构的历史经验研究”(18ZDA278)。
关键词
钱中文
叶秀山
文艺反映论
反映者
反映内容
反映方式
Qian Zhongwen
Ye Xiushan
Literary Reflection Theory
the reflector
the content of reflection
the mode of reflection
作者简介
牟方磊(1984—),男,辽宁喀左人,湖南师范大学讲师,博士,硕士生导师,研究方向为文艺美学。
