摘要
20世纪中后期,由于生态环境资源的破坏、生态世界观的兴起,以及理论层面上分析美学对自然美的忽视,西方生态美学逐渐发展起来。中国生态美学是在西方生态美学的启发和影响下诞生的,西方生态美学思潮构成了中国生态美学的一个生成语境。同时,中国生态美学也具有其本己的生成语境,包括生态文明时代的来临、超越实践美学以及建构中国学派的需要。中国生态美学的自觉的理论体系建构呈现出三种不同的理论形态,分别为曾繁仁的从生态存在论美学到生生美学、陈望衡的从环境美学到生态文明美学和鲁枢元的生态文艺学。中国生态美学的未来发展需要进一步寻求生生美学与存在论美学的互释与会通,并建构以实践为中心的生态存在论美学。
In the middle and late 20th century,because of the destruction of ecological environment resources,the rise of ecological world outlook,and the neglect of natural beauty by analytical aesthetics on the theoretical aspects,western ecological aesthetics lias gradually developed.Chinese ecological aesthetics was bom under the inspiration and influence of western ecological aesthetics.So the western ecological aesthetics thought constitutes a generative context of Chinese ecological aesthetics.At the same time,Chinese ecological aesthetics also has its own generative context,including the coming of the ecological civilization era,the Transcendence of Practical aesthetics and the need to construct the Chinese school.The construction of the conscious theoretical system of Chinese ecological aesthetics presents three different theoretical forms.That is Zeng Fanren's from ecological ontological aesthetics to Shengsheng aesthetics,Chen Wangheng's from environmental aesthetics to ecological civilization aesthetics and Lu Shuyuan's ecological theory of literature and art.The future development of Chinese ecological aesthetics needs to further seek the mutual interpretation and communication between the Shengsheng aesthetics and the existential aesthetics,and to construct an existential eco-aesthetics centered on practice.
出处
《社会科学》
CSSCI
北大核心
2020年第11期160-170,共11页
Journal of Social Sciences
基金
国家社会科学基金重大项目“生态美学的中国话语形态研究”(项目编号:18ZDA024)的阶段性成果。
关键词
生态美学
生成语境
理论形态
未来形态
Ecological Aesthetics
Generative Context
Theoretical Form
Theoretical Expansion
作者简介
胡友峰,山东大学文艺美学研究中心教授、博士生导师(山东济南250100)。
