摘要
文章通过对“审美属性”概念的梳理与界定,挖掘它在舞蹈创作过程中的运用及价值,重点对舞蹈《青铜印迹》、舞剧《万物生》编创过程进行回溯,从“核心之源-整体运作-完成核心”的创作模式中进行诠释和探讨,意在论证“审美属性”在舞蹈创作中的“内核”性作用,在实践阶段的“指向”性作用及舞蹈表达阶段的“统一”性作用。
By defining the concept of aesthetic attribute,this paper explores its application and significance in the process of dance creation.It explains the dance creation mode of "core motivation-pursuit of overall operation-full expression"mainly in retrospection of the creation process of the dance"Bronze Impression"and dance drama"Every Thing Is Bom",aiming to demonstrate aesthetic attribute as the decisive factor in dance creation,directional role in dance practice and unifying role in dance presentation.
作者
吴凝
WU Ning(School of Music,Nanjing Normal University,Nanjing 210024)
出处
《艺术百家》
CSSCI
北大核心
2020年第4期142-148,共7页
Hundred Schools In Arts
关键词
审美属性
舞蹈作品
创作
模式
Aesthetic Attribute
Dance Works
Creation
Model
作者简介
吴凝(1979-),女,汉,江苏苏州人,艺术硕士,国家一级编导,南京师范大学音乐学院舞蹈系主任。研究方向:舞蹈编导实SS,与理论。
