摘要
倪瓒山水画中的写树艺术不能完全等同于技法研究,既要把树木作为主体进行讨论,还要把树木作为画面的一部分放入全景式山水画中进行通盘考察。通过倪瓒山水画作品具体分析画中的树,认为倪瓒画树的独特之处在于以简寓繁、以简寓意。倪瓒山水画中的树木是其人格的象征,也是特定时代中的产物。
The art of tree depiction in Ni Kuang′s landscape paintings cannot be equated with a painting technique. The trees should be appreciated as the theme, in the context of the whole picture. The uniqueness of Ni Kuang′s tree painting lies in its simplicity and implications. The trees are symbols of the painter′s personalities and products of his era as well.
作者
吴泽锋
WU Zeifeng(School of Arts and Design, Guangzhou University, Guangzhou, Guangdong 510006, China)
出处
《广州大学学报（社会科学版）》
2018年第12期89-92,共4页
Journal of Guangzhou University:Social Science Edition
关键词
倪瓒
山水画
树木
人格象征
Ni Kuang
landscape painting
art of tree painting
personality symbol
作者简介
吴泽锋,广州大学美术与设计学教授,从事中国画的当代表现研究。
