摘要
"形神"与"气韵"是中国古代绘画美学的核心范畴,二者能够高度概括中国古代绘画之美学精神及特征。由于二者均缘起于人物画,早期阶段均为人物画创作的美学要求,故二者有诸多相似之处;但若加以认真比较,可发现"气韵"论的美学内涵较之"形神"观要更加丰富,下文将对二者进行深入探讨。
The view of body and soul and that of artistic conception are core categories of ancient Chinese painting, both of which can generalize the aesthetic spirit and characteristics of ancient Chinese painting. As both of them originated from figure painting, and were the aesthetics requirement of figure painting at the early stage, they have many resemblances. But a careful comparison will find that the aesthetic connotation of the view of artistic conception is richer than that of body and soul. This paper will explore them in depth.
出处
《学术探索》
CSSCI
北大核心
2015年第1期118-125,共8页
Academic Exploration
关键词
形神观
气韵论
美学特征
the view of body and soul
the view of artistic conception
aesthetic characteristic
作者简介
窦薇，女，云南大学人文学院2010级博士研究生，云南农业大学学报编辑，主要从事中国古代文学理论研究。
