摘要
版刻书法的产生是书手、刻工与印工共同合作的结果,三者缺一不可。南宋版刻楷书书手大多由训练有素的社会下层知识分子组成,同一地域书手的书风较为接近。南宋版刻楷书刻工有集梓人与石工于一身者,日刻字数约百余个。版刻楷书逐渐走向板结僵化,正是书手与刻工互动的产物。印工印刷技艺的高低,对版刻书法也有着重要影响。
The production of engraving calligraphy is the result of cooperation among the transcribers,engravers and printers.Most of the regular transcribers of Southern Song version are composed of well -trained intellectuals in the lower class and the.The writing style of the transcribers in the same area is closer.The engravers of the engraving regular script of Southern Song Version combine the Catalpa people and the stone worker in one,who cam engrave more than one hundred letters every day.Engraving regular script gradually goes rigid,is the interactive product of the interaction between the transcribers and the engravers.The printing skill of the printers has an important influence on the engraving calligraphy.
作者
刘元堂
LIU Yuan -tang(School of Fine Arts,Nanfing Institute of Arts,Nanjing,Jiangsu 210013)
出处
《艺术百家》
CSSCI
北大核心
2018年第4期197-204,232,共9页
Hundred Schools In Arts
关键词
书法艺术
南宋版刻楷书
书手
刻工
印工
Engraving Regular Script of Southern Song Version
Scribes
Engraver Printer
作者简介
刘元堂(1972-),男,汉,山东乳山人,南京艺术学院文学博士,山东大学儒学文化研究院在站博士后,南京艺术学院美术学院副教授,中国书法家协会会员,江苏省青年书法家协会副主席。研究方向:书法创作理论,版刻书法。
