摘要
晚清时期,戏曲因被认为关乎世道人心,而得到前所未有的重视。一时间,改良旧剧、创作新戏并行,戏曲文化繁荣而又混乱。民国建立后,随着政局逐渐稳定,制度不断完善,戏曲管理也开始得到重视和加强。民国政府的戏曲审查机制的建立、完善过程,可以从文本查禁和演出管理两个方面来考察和论述。其时戏曲审查机制的内容和特点也主要体现在这两个方面。
In the late Qing Dynasty, traditional opera was considered influential to the public＇s morality and behavior, and placed unprecedented emphasis. The traditional opera culture was prosperous and chaotic, as the old scripts were being improved and the new ones were created. After the establishment of the Republic of China, with the gradual stabilization of the political situation and the continuous improvement of the institutional system, the management of opera became reinforced. The establishment and improvement of the censorship by the national government can be studied from two aspects： bans on the scripts and the performance management, which also embody the contents and the characteristics of the censorship.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2014年第2期107-114,共8页
Drama:The Journal of the Central Academy of Drama
基金
国家社科基金重大招标项目(项目编号:11&ZD107)
中国人民大学科学研究基金项目(项目编号:14XNH109)的阶段性成果
关键词
民国
戏曲
审查机制
文本查禁
演出管理
the Republic of China, traditional operas, censorship, a ban on scripts, performance management
