摘要
瓷器剪纸贴花工艺始创于唐代,其与当时流行的薄片饰物有着密切的联系,与宋代吉州窑的同类装饰并不同源。宋代吉州窑瓷器上的剪纸贴花主要是受该地区发达的纺织印染、造纸刻书,乃至剪纸业的影响而来的,风格独特,其中一些特殊的宗教纹样则是为该地区的宗教机构设计烧制的。吉州窑是我国宋代著名的民间窑场,其产品以装饰手法的丰富多样而别具特色,黑釉剪纸贴花工艺即是其中代表性的一种。长期来对于瓷器剪纸贴花的始创年代,工艺渊源,宋代为何只有吉州窑流行剪纸贴花技法,以及剪纸贴花纹样是否与当地的社会习俗相关等问题,一直是笔者颇为关注的课题,本文试图就此类问题的思考作一简述。
Cutting decals on ceramics initiated in Tang Dynasty, closely tied up with laminate decorations popular at that time, and had a different origin with the similar decorations of Jizhou ware in Song Dynasty, the latter of which mainly affected by textile dyeing and printing, papermaking and block printing, even paper cutting. The decoration style was unique; some of the special religious patterns were created for religious institutions in local area.
出处
《南方文物》
2013年第4期94-96,97-100,共7页
Cultural Relics in Southern China
关键词
吉州窑
黑釉剪纸贴花
宗教纹样
Jizhou Ware, Cutting decals on black glaze, religious patterns
