摘要
青花由于其独特的材质媒介及烧成工艺,使青花的笔墨语言介于书法与中国传统绘画笔墨语言之间,但其笔墨语言也不可能像中国传统绘画的笔墨语言那么丰富,笔墨所表现的已不再是具体的客观事物,而是构成要素之间的安排及对比所形成的美感。
Underglaze blue decoration with its unique material and firing technique adopts a language of brushwork between calligraphy and Chinese traditional ink painting. Its brush strokes are not as varied as those of Chinese traditional ink painting, and they depict no longer the figurative images, but the beautiful arrangement and contrast of the essential elements.
出处
《中国陶瓷工业》
CAS
2009年第4期50-52,共3页
China Ceramic Industry
作者简介
通讯联系人：车华忠，男
