摘要
翁方纲继神韵、格调、性灵三说之后,又提出了新的诗学主张——肌理说。本文讨论了其“肌理说”产生的时代文化氛围及基本内涵,阐述了翁氏对神韵说的补救与改造。
Texture” theory was put forward as a
new form of poetics by Weng Fanggang following the three schools of verve, pattern, and
personality. This paper discusses the atmosphere in which the “texture” theory came into
being and its basic connotations and demonstrates his transformation of verve and his revision
and renewal of pattern theories.
出处
《兰州大学学报(社会科学版)》
CSSCI
北大核心
1999年第3期103-111,共9页
Journal of Lanzhou University(Social Sciences)
关键词
翁方纲
肌理说
乾嘉学派
诗学
Weng Fanggang
“texture” theory
Qianlong-Jiaqing
school
poetics