摘要
“白毛女”故事在20世纪中国革命文学中被不断改写与重述,以新歌剧版和芭蕾舞剧版为著名成果。《白毛女》系列作品在接受层面大获成功,引起了强烈的情感效应,展现了中国共产党文艺政策“大众化”与“化大众”的辩证效果。本文以芭蕾舞剧版的改编为中心,从情感的建构性视角,分析其形式创造的政治意义与情感策略。营造革命情绪是舞剧版改编的核心任务,也符合芭蕾语汇抽象性的形式特征,尤以去性别化语汇创新塑造典型的抗争形象,以调动观众情绪;此外,作品凝结的地方性审美经验(如民间传说、民族舞蹈样式、音乐元素等)具有强大文化认同功能;加之戏剧意识形态的转变及其内在逻辑与观众接受相契合,共同营造了舞剧《白毛女》成功的情感效果。
The story of“The White-Haired Girl”has been rewritten and reiterated in Chinese revolutionary literature in the 20th century,with the new opera version and the ballet version as the most prominent.The series The White-Haired Girl has been a great success in terms of audience acceptance,rousing a strong emotional effect and demonstrating the dialectical effect of the“author-oriented popularization”and“audience-oriented popularization”advocated by the literary policy of the Communist Party of China.This paper,with the ballet version as the main subject,analyzes the political significance and emotional strategies of its form creation from the perspective of emotional construction.Creating a revolutionary spirit is the core task of the ballet version,which is also in line with the formal characteristics of ballet expression,namely the abstractness.This characteristic is prominently demonstrated by reshaping typical female images with a rebellious spirit using nonsexual expression to appeal to the audiences’emotions.In addition,the aesthetic experience with distinctive local features refected in the work(such as folklore,forms of folk dancing,and musical elements)demonstrates it profound function of cultural identity.What’s more,the transformation of the theatrical ideology and the great harmony between the inner logic and the audience’s acceptance successfully create an emotional effect when The White-Haired Girl was staged.
作者
王杰
黄筱茜
Wang Jie;Huang Xiaoqian
出处
《当代舞蹈艺术研究》
2022年第2期8-13,共6页
Contemporary Dance Research
基金
浙江省哲学社会科学规划优势特色学科重大项目“马克思主义美学史的理论研究”(项目编号:22YSXK01ZD)阶段性研究成果
关键词
《白毛女》
民族芭蕾舞剧
形式创造
情感策略
The White-Haired Girl
National Ballet
form creation
emotional strategy
作者简介
王杰,浙江大学传媒与国际文化学院教授、教育部长江学者、中国文联中国艺术评论基地(浙江大学)主任。主要研究方向:马克思主义美学、审美人类学;黄筱茜,女,浙江大学传媒与国际文化学院在读博士研究生。主要研究方向:马克思主义美学、审美人类学。
