摘要
北魏是汉唐之间乐舞文化转型的重要阶段。北魏墓葬舞蹈图像作为对当时舞蹈相对直观的反映,一方面延续了汉代以来中原周边地区所保存的中原艺术传统,另一方面又对北方游牧民族、汉族和西域诸民族的艺术因素进行了重组和融合。在以平城为都城的北魏时期,墓葬舞蹈图像没有体现出统一的规范,北方游牧民族文化型、汉族文化型和西域诸民族文化型三类图像并存,处于一种“杂而不融”的状态。在北魏迁都洛阳以后,三种文化型的舞蹈图像进入了深度融合的阶段,产生了一些新的艺术形式,这对后来艺术的发展具有深远的影响。
The Northern Wei Dynasty is an important stage in the cultural transformation of music and dance between the Han and Tang Dynasties.As a relative intuitive reflection of the during that period,the paintings of the cemetery dance of the Northern Wei Dynasty continued the artistic traditions of the Central Plains which had been preserved in the neighboring areas of the Central Plains since the Han Dynasty.What’s more,those images were rearranged,integrating the artistic elements of the northern nomadic culture,Han Dynasty culture,and the culture of the western regions.In the period when Pincheng was the capital of the Northern Wei Dynasty,the images of cemetery dances lacked uniform norms,exemplified by the coexistence of three different and independent images,including the northern nomadic culture-based images,the Han Dynasty culture-based images,and the images with western regions’characteristics.Followed by the relocation of capital in Luoyang,the three distinctive images heralded the stage of“in-depth integration”,giving birth to some new artistic forms,which left a lasting imprint on the development of the arts.
出处
《当代舞蹈艺术研究》
2023年第1期55-66,共12页
Contemporary Dance Research
基金
中国艺术研究院“2023年青年人才资助项目”(项目编号:XJ2023000703)
国家社科基金艺术学重大项目“传统礼乐文明与当代文化建设研究”(项目编号:17ZD03)的研究成果之一
关键词
北魏
墓葬
舞蹈
图像
Northern Wei Dynasty
tomb
dance
image
作者简介
元空,博士,中国艺术研究院舞蹈研究所助理研究员。主要研究方向:舞蹈史、中国美学。
