摘要
《浮玉山居图》至今仍留有若干悬而未解的问题,学界主流对《浮玉山居图》的画面内容与题跋的解读有误。考证“方天瑞”及方干晚年隐居处得到的结论为:《浮玉山居图》是钱选主动创作的,而非为方天瑞定制的斋号图,其创作内容很可能来自方干的隐逸典故以及鉴湖的相关文本。
There are still a number of unanswered questions concerning Dwelling on Mount Fuyu.Mainstream academic circles have hitherto misinterpreted both the content and the inscriptions of this artwork.Through meticulous research into the location where"Fang Tianrui"and Fang Qian chose to live in solitude in their later years,the conclusion reached by the author is that Dwelling on Mount Fuyu was created by Qian Xuan on his own initiative,rather than at Fang Tianrui's request.The painting's content was likely inspired by Fang Qian's allusions to seclusion and a related text by Jian Hu.
出处
《艺术探索》
CSSCI
2024年第2期12-19,共8页
Arts Exploration
基金
国家社科基金艺术学一般项目“中国现当代美术批评史”(21BF081)
北京语言大学校级项目(中央高校基本科研业务费专项资金,23YBB26)
关键词
钱选
《浮玉山居图》
方天瑞
鉴湖
Qian Xuan
Dwelling on Mount Fuyu
Fang Tianrui
Jian Hu
作者简介
杨东谕(1992—),男,博士,北京语言大学艺术学院副教授,研究方向:视觉图像、艺术学理论。
